While
The Ghosts Among Me EP painted a picture of a selfdestructive downward spiral of depression, the debut album
Metamorphosis on the other hand tells a story of survival. It starts from a point where I've had enough and decided to pull myself together, no matter what it takes. Underneath there's a story that goes on throughout the whole album, in a chronological order connecting the songs together. There's a lot of death / birth allegories, that reflects the death of the old self / depression and birth of a new self and the struggle between them. Also just like the album proceeds in chronological order when it comes to the story, it also is written on traditional
Freytag's analysis of dramatic structure;
exposition, rising action, development, climax, falling action and dénouement
Before we go any further, a little of bit of introduction is needed here tho, about the way I write lyrics. I've done my share of empty "oh yeah, oh yeah" lyrics on other bands and projects and from the start, or at least from fairly early on, I wanted to keep this band pure, only to do it if I'm in it with all of my heart and even tho this sounds like a worn cliché; if you can't put 100% of your self into it, give out your 100% true emotions and feelings, then how could the listener do that? That is why I sometimes drift into a place, where my soul is visible and I'm standing before everyone as naked, bare and vulnerable as I can. I drift into a place that is buried deep inside and from where it might take a while to get out from. Many of the topics are extremely personal and the more personal they are, the deeper I tend to bury them underneath the obvious text that is on the surface, but if you want to put your time into it, there is usually more layers underneath the surface, that carries out the actual story, or the actual topic. Because of the mentioned "the more personal they are, the deeper I bury them", there's usually a fair amount of effort given to the burial, for a reason, which is that there are somethings that I want and I NEED to have the right to keep to myself, so forgive me if I won't go to those depths and on this one song particularly I need to keep the story to myself, buried inside, where it will be kept for the rest of my existence.
The Chant (exposition)
I wanted the album to start with a moodsetter that resembles almost like an shamanistic ritual, where the protagonist prays for strength to carry out his journey. A journey that will take his old fragile self to closure and give a steady ground to build the new stronger self. This song is meant to be both and individual song, intro and a prequel to
Passage and to reflect the eternal mandatory circular repetition between depression and survival,
The Chant and the closure part of
Last breath, actually share the same chords, cellos and melody patterns to give it more of a back to beginning feel, when the album ends. So in a way, musically it goes back to start and goes through the same circle again, like the mythical phoenix that is rising from it's ashes.
Passage (rising action)
actually starts with that same Phoenix allegory and continues straight from where
The Chant ended. Thematically where
The Chant was written about destructing the old self,
Passage is about where the protagonist is starting to build yourself over again, like the mythical Phoenix rises from ashes
Zahir (development)
The name comes from Arabic word "Zahir", which means something that's seen and present, that you can't ignore. Something that starts out as an fleeting thought, but eventually conquers our minds completely. The referance to "Zahir" comes from a story, not from the actual song. This part lays sort of an background to our protagonist, as we simultaneously proceed with the story. The protagonist realizes that he's had enough and has found "Zahir" from survival and getting back onto his feet again. By doing so he realizes how his decision to survive affect his whole life, like an tidal wave. The song is about depression, forgiveness and a death of someone important. As a song, Zahir was a turning point and key element, when it comes to album, since it was the first song I wrote for the album after I had made the decision that the course of my life has to change, if I am still planning to be among the living after a year. In the end, the protagonist prepares to let go and face the ghosts of past.
The Ghosts Among Me (climax)
To be honest, I never liked this song when it comes to music. I had this vision about dramatic guitar intro that reflects the struggle with the demons of the ghosts past, but it actually ended up sounding just really fucking stupid and cheesy metal chlicé that I usually try to avoid. So all in all, instead of dramatic, the song sounds retarded, except for the breakdown with clarinets, which I still love. We haven't played this live in years, since every time I have to play this, I feel like my head is about to explode from the sickening disgust about what it represents to me; an effort to trying to please the metal audience. We tried to rewrite the song multiple times, but somehow it ended up on the album as it was and even got chosen as a digital single for the EP. The story at this point goes on with many different topics, but the thin red line in all of them is facing the demons and trying to defeat them. The song goes on with self accusations, struggle against depression, a certain someone's struggle against addiction that ended in death and the fear of simply being afraid to confront the demons.
Province (falling action)
This song is something that is so extremely personal, that I want and I need to keep this one to myself, so forgive me for not opening it on other parts that on the story the protagonist is in a turning point, where he has overtaken the victory on the battle between the old self and new self. The story leads the protagonist to water, where he has his final inner struggles, before the old self passes away
Beneath The Waves &
Last Breath (dénouement)
Beneath The Waves carries the story from
Province to
Last Breath. In
Beneath The Waves, the protagonist is slowly sinking deeper and deeper under the surface of the lake as his consciousness starts to fade.
On
Last Breath the protagonist takes his final breath and passes away, while the new stronger self takes over for good, the metamorphosis is complete and the shift from broken to strong solid self has been done. I wanted to end the album with a bold and defiant statement; that if all this couldn't break me down, then nothing can and I'm still here, still alive
So there you go, a scratch under the surface of
Metamorphosis, even tho a shallow scratch, but still something for you chew on and help you figure out the rest ;)